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    The paintings are involved with proportion, line and light in compositions constructed of overlapping planes. Slight variations in the dimensions of the panels create linear compositions around open fields of color. The use of thin aluminum sheets without a supporting structure (stretchers, etc.) allows the piece to lay directly on the wall and become a part of the architecture. This connection is furthered by beginning some of the pieces at floor level or having others slightly different in color from the white of the wall. Although sculptural in their use of  shallow relief they are suggestive of wall painting due to the economy of structure and the near elimination of shadow. The panels hang freely on straight pins through holes in their surfaces and are separated when taken down.

A few words

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Installation view, Stiftung fuer konkrete Kunst, Reutlingen, Germany

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